Grunge Effect Part 2: Editing Walk Through

Following on from my ‘Grunge in 8 Simple Steps‘ video and post, I got the feeling from some of the feedback that a ‘walk though’ of the tutorial which would go hand in hand with the video would be useful; so, in this post I’ve done exactly that…a ‘walk through’ of each of the 8 steps to edit ‘The Bearded Guy’:

Step 1: Levels Adjustment
The ‘out of camera’ image was lacking in ‘blacks so a Levels Adjustment was made where the shadow slider was moved a short distance to the right so that it touched/lined up with the far left of the histogram.

BEFORE:

AFTER:

Step 2: Add contrast to eyes using a Levels Adjustment
To make the eyes have more impact and stand out, first of all I selected them by selecting a brush, a foreground colour of black and then pressing ‘Q’ to enter Quick Mask Mode. All I did then was paint inside the eye (which will be visible by the red overlay) and once all selected just pressed ‘Q’ again to come out of Quick Mask Mode. To saturate the colour and add more density to the eye all that was needed was a Levels Adjustment Layer and moving the Shadow, Midtone and Highlight sliders to taste.

3. Add contrast with a Curves Adjustment Layer
Contrast was then added to the image using a Curves Adjustment Layer and selecting one of the presets…’Medium Contrast’. Now, as I’ve mentioned before, adding contrast to an image does also have the effect of saturating the colours (as happened in this case). Normally this isn’t something I’d want to happen, so to remove the saturation but keep the contrast boost you can simply change the blend mode of the adjustment layer to Luminosity. However, knowing what I was doing next in Step 4, I kept the saturation as it was.

4. Reduced Greyscale Layer
To make a Greyscale (Black and White) Layer I used Nik Silver Efex Pro which nowadays is all I ever use, however you don’t need it to do this tutorial. Use any of your own preferred methods to convert the image to Greyscale so long as the result appears on it’s own layer. Once I’d created the greyscale layer all I did then was reduce the opacity so that the colour from the underlying layer started to show through just enough to give me the look I wanted, which in this case was around 75% (allowing 25% of the colour from beneath to show through).

BEFORE: Greyscale Layer

AFTER: Greyscale Layer opacity reduced to 75%

5. Restore eye colour with a Layer Mask
A side effect of adding the Greyscale layer is that the colour / tone in the eyes that we did in Step 2 is lost, so to recover it all that was needed was to create a Layer Mask and then paint in black using a brush over the eyes and the colour in the layer beneath shows through.

6. Add detail to hair using the High Pass Filter
I tend to use the High Pass Filter when I’m looking to bring out detail in such things as stubble or as in this case a ‘shaggy beard’. I’ll always apply it to a duplicated layer so that if need be I can reduce the strength of it later by reducing that layers opacity. So, all we do is go to FILTER (in the top menu bar) then OTHER…HIGH PASS. This brings up the dialogue box you can see in the image below and all you need to do is choose a RADIUS amount. The higher the radius, the more of the image you’ll see appearing through the grey overlay and consequently the more detail/sharpening will be applied.

Once you’ve chosen a Radius click OK and then you’ll need then to change the Blend Mode  to Softlight. At this stage this means the HIGH PASS Filter has been applied to the entire image but all I want is for it to be applied to the hair / beard. So, add a black Layer Mask (which hides the result of the High Pass FIlter) and then paint over the hair / beard with a white brush to bring the effect back. This way, only the hair / beard has the High Pass Filter applied to it and not the skin.

7. Darken down the background using Multiply Blend Mode and Burn Tool
Really simple this one. Just duplicate the layer you’re working on and change the blend mode to Multiply. This will have the effect of darkening the whole image so to restrict the darkening to the background etc, all I did was add a Layer Mask and then paint with a black brush over the face etc (but not the background); this will keep the darkening of the Multiply Blend Mode on the background but not on the face or wherever else you paint. In this instance to darken it even more I then dragged the Multiply Blend Mode layer onto the New Layer Icon at the bottom of the layers panel. This creates a duplicated layer and consequently duplicates (doubles) the darkening. To finish off the darkening I just used the Burn Tool set to Highlights and painted over some of the brighter areas in the background at around 20% strength.

8. Reduce Saturation
To finish off the image all I have done then is add a Hue/Saturation Adjustment Layer and moved the Saturation slider to the left slightly so as to reduce the overall colour of the image.

So there you have it…the 8 Steps I went through to edit ‘The Bearded Guy’.
So, was it useful? Explained clearly? … I’d love to ‘hear’ your thoughts good or bad and any questions or comments you may have so please feel free to make use of the comments section below.

In the meantime, have a great weekend.
Enjoy:)

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July 30, 2010 - 10:12 am

neil Holmes - Hi Glyn, yes the camera calibration profiles, I used to use the Adobe Standard one, but found a set of ‘untwisted’ ones that work well as a standard and theirs not much colour shift when I use the recovery slider, I tweaked them to my own taste, usually the red primary hue to take pink out of skin tones.

Cheers Neil

July 30, 2010 - 11:07 am

Mike - Excellent work as always mate.

Love the walk through as it helps slow things down a tad especially seeing how to re-create similar kind of results with CS4 instead

July 30, 2010 - 3:23 pm

David Kelly - Glyn,

Thanks for the video on the previous post and the more detailed breakdown here of some critical steps. Definitely a ‘look’ that I’d very much want to use – just need to the appropriate subject ;-)

Interesting to note your & Neil’s comments re: camera calibration profiles in LR. I do use them, though tend to prefer either Neutral or Faithful (Canon picture styles). I certainly avoid the Portrait setting, which is just way to over the top in red hues for skins tones. How this could been seen as a “Portrait” setting I don’t know. Never got around as yet though to using the profiler utility that Adobe have released to come up with some custom settings.

Regards,

David

July 30, 2010 - 5:35 pm

Noel Hannan - Great post Glyn, I am going to try to adapt this for my trusty old Photoshop 5 and see if it works.

Thanks for sharing. Keep shooting.
all the best
Noel

July 30, 2010 - 9:42 pm

Glyn - @Mike…Thanks for stopping by and commenting mate; really appreciate the kind words.

Cheers :)

July 30, 2010 - 9:44 pm

Glyn - @David…Thanks for stopping by and for commenting mate. I guess now is a good time to go on a mini photo walk as Neal and I did; endless subjects out there mate :)

July 30, 2010 - 9:46 pm

Glyn - @Noel…Did you say CS5???? Blimey, that might be a collectors model now :)
Seriously though mate, thanks for the kind words.

Hope all is well…must catch up soon,
Cheers,
Glyn

July 31, 2010 - 3:50 am

Andrew Hart - Hi Glyn, great portrait; that guy has the 1000 yard stare going on, looks like he’s seen some stuff you just can’t ‘unsee’!

Thanks for showing your processing, the end result is very dramatic. I’ll give it a try on a ‘suitable’ subject (lest my girlfriend leaves me!).

You should maybe devise a quick guerilla lighting rig so you can take shots in a consistently lit manner of street people so as to do a series of portraits all given this processing treatment.
It would make a great exhibition and perhaps help raise some funds or awareness of their plight?

July 31, 2010 - 10:02 am

Neal - Cheers mate, compliments the video nicely :)

July 31, 2010 - 10:25 am

Glyn - @Andrew…Yeah I know what you mean about his stare mate; says alot huh!
No worries re the processing; would be great to see what you use it on and yeah I’m liking the idea of the Guerilla lighting…might be something for NEal and me to try out on the 12th August when we head off to Bournmouth for another Mini Photo Walk.

Cheers,
Glyn

July 31, 2010 - 10:25 am

Glyn - @Neal…Thanks mate :)

July 31, 2010 - 2:08 pm

Tim Skipper - This is a great tutorial. Now all I need is an old guy with a beard. Happen to know where I can find one? ;)

August 2, 2010 - 12:39 pm

DaveT - Thanks for the breakdown tutorial Glyn, I really needed this extra detail to be able to take in what you did in the processing.

More please.
Dave

August 2, 2010 - 5:58 pm

Glyn - @Tim…I’m sure you’ll find one mate :)

Cheers,
Glyn

August 2, 2010 - 5:59 pm

Glyn - @DaveT…You’re welcome mate; glad you like it.

Cheers,
Glyn

ps> I’ll be adding more of this kind of stuff for sure :)

August 3, 2010 - 4:56 am

Andy Cuadra - Glyn- what a great series my friend. I wanted to stop by and see what you were up to; looks like you have been busy :-) . Awesome tutorial.

August 3, 2010 - 5:50 am

Glyn - @Andy…Great to hear from you Buddy; thanks for stopping by and for commenting :)
Cheers,
Glyn

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